For the most part, they know him only through the hit 1989 miniseries I Know My First Name is Steven, in which he’s played by actor Corin Nemec.
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Steven, long dead by this point, is but a fleeting memory to his surviving daughter, and a mere concept to his living son, who was too young to remember him.
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While it begins like most other True Crime documentaries, with family members speaking to the director just off-camera, its first episode begins to take a wildly self-reflexive shape about halfway through. The show divides each of these phases of the story into its own 45-minute episode, and while the facts are all widely available, it plays coy with the details of the latter, hinting only at the fact that someone in Steven’s own family was involved in some rather disturbing crimes, bringing cameras and reporters back into the Stayners lives.Ĭaptive Audience establishes itself as a narrative about narratives, and the way the media shapes them - not only the news media, but cinema and television too. As if that weren’t enough, in 1999 - a decade after Steven’s tragic death in a road accident - the media spotlight would return to the Stayner family once more, for deeply unpleasant reasons. In 1979, he miraculously returned home, and while the story ought to have ended there, he became the center of an invasive media frenzy that left a lasting impact on his family. In 1972, Steven Stayner was kidnapped at the age of 7 his story hit the airwaves, but he disappeared as if without a trace.
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It’s a show about how stories are told and remembered, and while its third episode -about semi-related crimes that took place over two decades later - doesn’t feel as focused or exacting, its first two entries are as deeply affecting as they are alluringly strange.Įarly into its first chapter, the series lays out its broad strokes in a (fittingly) captivating montage.
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A True Crime documentary about True Crime, the three-episode Hulu series Captive Audience follows a real kidnapping case from the 1970s, which it retells not only through firsthand testimonials, but through contemporary news clips, scenes from a two-part TV movie made about the events, and interviews with the people who fictionalized the tale.